Lily Hu has questions, particularly about herself and why the idea of two women falling in love makes her heart race, or why she clips certain butch female looks, but she is Chinese-American in the 1950s where it is dangerous to seem a little too different and to risk her father’s deportation.
So Lily keeps her questions quiet until she starts hanging out with Kathleen Miller, who is not afraid to go to the Telegraph Club with Lily and hang out there to watch a show. As her world and friendships shift, and priorities change, Lily suddenly is asking more and more questions and saying no to things she might have just shrugged away, and yes to things she would have just wished she did say yes to before.
Last Night at the Telegraph Club, is a trip through the US at the time of red-scare paranoia, and particularly what it means to be defining your sexuality alongside your identity and how you fit in this world and country. The story is written with that everyday type of writing that makes you go through the day of Lily and through things as they happen and it all feels luscious and mundane at the same time.
There are so many details about what being in a country that sees you as different in not only one way feels, and what finding the deep secrets you didn’t even dare admit you kept suddenly are more accept or have somewhere to be not a secret anymore and how liberating that can be but also the risks of letting the truth show.
Wonderful read, and highly recommended overall. It is a very different feel to Malinda Lo’s fantasy books but it still ahs the beauty of being an easy read and yet telling a big story, like an epic poem that everyone knows the lines to and can recite as if it was what everyone does.
Goodbye, my Rose Garden by Dr. Pepperco (Full Series)
Read before: No
Ownership: Bought for my personal collection
Series: Goodbye, my Rose Garden, 3 volumes total.
I have been reading a lot of series, particularly graphic novels and manga, and sometimes it is hard to review a single book without adding spoilers, so now I will be adding some Full Series reviews.
Today I will talk about Goodbye, my Rose Garden. It is a female to female (F/F) series set in semi Victorian era England and focuses on Hanako, who dreams of becoming a novelist. Of course, this is not an easy path so she finds a job as a personal maid to a young noblewoman/lady. This seems to be a wonderful job since the lady, Alice Douglas, likes reading and encourages Hanako’s dream until she makes a very unusual request. Hanako has to kill Alice and end her suffering as she doesn’t deserve to be alive.
Initially, Hanako refuses but agrees to consider it if necessary. And so the story develops into a slow burn romance where Hanako feels it is not suitable to fall for her employer and therefore should tread lightly, but also, she is her personal maid and as such should do her best to help her lady. Alongside this, she has to figure out if she can convince Alice to bail out of the request to kill her, or why she thinks she should be killed. Add to that the path of attempting to become a novelist, Alice’s jealous fiance, and Hanako’s own past, and it is a soft romance with some high stakes.
I usually try the first volume of a series and decide, and wasn’t sure what to expect, but honestly, as I read I knew I had to get the rest. Goodbye, my Rose Garden packs a lot in very little space and it also does a good job of keeping all the plot lines and subplots going rather than abandoning them or half forgetting they are there, which was part fo what made it much dearer for me.
If you want a soft F/F manga set in early twentieth-century England, that focuses on the love of reading and on roses and just being dedicated to living life, this is the one for you.
Spoiler Free: Mostly, there may be plot points discussed.
When we first meet Maeve, she’s having a hard itme and has to help clean a cupboard forgotten behind in school, so when she finds some tarot cards, and they keep coming back to her, she decides to do some readings for fun. All she feels is that she doesn’t belong in her family and that she doesn’t belong in school, and even then she has become slight enemies with the person that used to be her best friend.
And hey, reading tarot in school is suddenly making her popular and having friends, so why not? And if they decide to push for a reading for Lily, her ex best friend, it isn’ther fault Lily it ends in screams and ebign upset. So when Lily disappears, Maeve feels slightly responsible and puzzled, she is sure the cards have something to do with it, and the city is becoming a bit odd.
As she slowly tries to confront her own ghosts, what caused the rift between her and Lily, her growing feelings for Roe, who is Lily’s sibling, and her overall place in the world, will they find a way to bring Lily back and find out what happened to her?
At times this went a bit too intense but it was interesting to navigate it frm the point of view of Maeve, who I didn’t really vibe on initially, but as the story develops I understood it better and it made sense. I like how it touches on unusual ways and the characters aren’t the out of the box kind but have very particular quirks and elements to each of them touching on diversity in various ways.
If you like tarot, a bit of the mystical and also some queer representation this is a book for you.
When Dylan and Ellis’s secret relationship is exposed on social media, Dylan is forced to come out. To Dylan’s surprise they are met with support and congratulations, and an amazing reception at their highschool dance. Perhaps people aren’t as narrow-minded as he thought?
But Dylan’s happiness is short-lived. Ellis suddenly becomes angry, withdrawn, and as they drive home from the dance, he loses control of the car, sending it plunging into Hunter’s Lake. Barely conscious, Dylan is pulled free of the wreck, while Ellis is left to drown.
Grief-stricken, Dylan vows to discover what happened to Ellis that night and piece together the last months of his boyfriend’s life – and realises just how little he knew about the boy he loved.
I won this book out of a lotery during YALC, however that doesn’t change my review or do anything for or against it.
To start this review, at least one of the foxes given is purely due to the fact that I usually cringe at books that center on romance/a relationship and somehow this one didn’t annoy me, or make me frustrated or anything like that. I enjoyed the romance,so kudos to the author because somehow a 4 fox review has come out of a contemporary romance book. Someone save this one for posterity.
Maybe that should be the whole review, this book made me like contemporary romance. (But I am not going to go test the waters and ruin the experience I got out of this one book).
Now on to an actual review of it. It is a very interesting book, with a coming out, a high school dance where they are officially out, and then disaster. Both Ellis and Dylan were fleshed out as full characters and neither was just a ploy or just there, you could see and feel what they were going through. There are several parts of the story to follow. One is Dylan’s best friend and their friendship, which I enjoyed but also boy, was that intense (and no, no filthy thoughts).
Another part is what made Ellis to elusive and what was he keeping from Dylan? Why is Dylan suddenly getting pages from the sketchbook Ellis had? The mystery is there ever present but it is also something that is keeping Dylan going and in some ways keeing him from plunging deeper into his grief, but at the same time, he’s not letting go of that grief because he wants to keep searching for answers.
And of course, the last one, is grief (another grief book, definitely my type of book). It is on how his family and the rest of the world interacts with him, and it is about him reacting or interacting in return. On processing the grief, and trying to find a way in and out and somehow untangle the big tangle that grief is.
The book in general does well exploring the three points and the final discovery both surprised me in one of the things and was not that surprising in another. But it didn’t feel too far away from what could possibly be.
This is not a happy book, it is a book that is steeped in sadness an in discovery and just finding your place in the world and learning who you are and who your boyfriend was/is.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
There’s been a lot of rave for this book, but I am not sure I will fully rave about it. I enjoyed it a lot and it kept me hooked and reading it, but the way it had been pitched and talked about meant I was expecting something else.
If you’re looking for lesbian necromancer in space, you won’t really find that here. This is NOT a space opera, there’s very little “space” part in it, which was what made me unhappy the most. I was expecting some crazy space opera with necromancers and most of the space talk is them moving from their planet to another, which takes a few pages and that is it. There aren’t really any more space themed things going on beyond the fact that tehy are on a planet (I mean, in most stories you read, the characters are in a planet or something of the kind).
We get most of the story from Gideon’s point of view, so if you don’t like much her prickly/snarky want to be a hero and not super focused but rather emotional way of being, you won’t like the way this is narrated (which seems to be one of the main issues I see others found not great). I liked the snark and sarcasm and prickliness of her and her interactions and shenanigans made me like her a bit or at least be fond of her antics.
The story is mostly about them trying to solve a big puzzle in an abandoned building to become the best necromancer for the emperor. But it isn’t easy and it comes at a cost, plus being a necromancer doesn’t mean you are immune to death (one wishes, right?). I enjoyed the way necromancy is divided by houses and abilities, where each house has a focus on how they use necromancy and what they use it for. I also liked the whole mystery how are we going to solve this, do we try to work on our own or team up? thing.
There’s a lot of competition and lots of backstabbing (figurative and literal) and a lot of fighting and crazy stints and I enjoyed this a lot. One of the downsides is that there are a lot of characters and at times I couldn’t really remember which house they belong to, who they had come in with and what abilities they had. Nor could I fully remember they had or hadn’t achieved to a certain point in the story because we get a lot fo the story from Gideon’s point so we miss a lot or only what she cares about (which is fine, but can make the story confusing and I only really cared for a few characters rather than the whole set).
All in all, it was a crazy fun necromancy read. Just don’t expect the whole crazy space part because it wasn’t that.
Seventeen-year-old Marisol Morales and her little sister Gabi are detainees of the United States government. They were caught crossing the U.S. border, to escape the gang violence in their country after their brother was murdered. When Marisol learns that the old family friend who had offered them refuge in America has died and they are going to be sent home, they flee. Seventeen-year-old Marisol Morales and her little sister Gabi are detainees of the United States government. They were caught crossing the U.S. border, to escape the gang violence in their country after their brother was murdered. When Marisol learns that the old family friend who had offered them refuge in America has died and they are going to be sent home, they flee.
They hitchhike, snagging a ride with an unassuming woman who agrees to drive them to New Jersey, but when Marisol wakes up in D.C. she learns the woman is actually a government agent. Indranie Patel has a proposal for Marisol: she wants Marisol to be a Grief Keeper, someone who will take another’s grief into their body. It’s a dangerous experimental study, but if Marisol agrees she and Gabi will be allowed to stay in the United States. If the experiment fails the girls will be sent home, which is a death sentence. Things become more complicated when Marisol meets Rey, the wealthy daughter of a D.C. Senator, and the girl she’s helping to heal. Marisol likes Rey’s short hair and sarcastic attitude. But she didn’t expect the connection from their shared grief to erupt into a powerful love.
Suddenly being forced from the United States isn’t just a matter of life and death, but a matter of the heart.
The title of the book was what caught my eye first, then it was the plot and I just had to preorder it and read it. And boy, this book packed its punches and hit close to home (I was going to put a disclaimer to clarify which parts did and didn’t, but then realised I was saying way more than I felt comfortable with and therefore I just want to say I haven’t experienced everything in the book, but it isn’t something far removed in some areas for me).
Being bilingual, I usually do not like much books that throw words in a different language just for the sake of (I don’t mean calling a particular item of clothing or a dish by their name in that language, we call a taco a taco. I mean the adding foreign words for the sake of making it feel exotic, and it really peeves me off when it is a story including Spanish words), so I was wary about that happening here. It also breaks the continuity for me since the switch between Spanish/English breaks as I read sometimes if there’s that gap. However, as I read this, the way it uses Spanish was right. It was the perfect way of how my brain fills in gaps of language, how it processes, it didn’t disrupt or break continuity or annoy me. Instead it just reminded me how much I still have preference for some words in Spanish or how certain words don’t really translate well one way or the other.
As for the characters and the plot, I am the older sister and have a younger sister who did some of the things Gabi did (some almost to the T. *sigh*), and Marisol felt raw, protective, real. It was also like discovering myself as I read this. Because a lot of how Marisol copes with the world and her not breaking and not falling whereas Rey does, it was exactly how I work, how you’re brought up. And the contrast I feel in the UK, Marisol was feeling in her own experience in the US. I felt seen in this book, and as if it was revealing deeper parts of what it is to be Latinx.
The concept of Grief Keeper was mesmerising in itself and Rey’s story was also very nteresting, the dynamics, the way it all worked out was delightful to read. Slow burn, slow build up, intense feelings, “translation” and cultural differences making it more interesting.
Yes, I know Marisol isn’t from Mexico, but a lot of what she experienced was familiar and I could easily fill in gaps. The book wasn’t a shock to my system or a surprise, it was just “the truth” (a sad one sometimes) but it did so in a good way. I didn’t feel like the truth was just for plot or entretainment, it felt raw, it felt like it was being written from the heart, or close to it.
Beautiful melancholic book, with good Latinx representation, a lot of pondering on grief (yes, apparently I like books that touch on grief, sorry, I do, it has always been something that interests me, something that pulls me close) and working out that grief. Great use of language and wording and all the elements that make the characters. Highly recommended.