For some chaotic reason (I think health and house move) I had not posted my review for this entry into one of my favourite middle grade series!
Diary of an Accidental Witch follows Bea who moves into a new village with her dad who studies the weather, and the weather here is all funky, but it may have to do with the magical school nearby rather than just natural phenomenon.
Bea ends up going to witch school and turns out she is a witch, so we follow her shenanigans through a series of books (I have reviewed all of them and I love them so much!). Magic Ever After is what looks to be the last of the series. This is the one bad thing of this book, that it is the last so far and I am heartbroken!
Bea’s ready for magical plans over the school holidays and then she realises her dad is obsessed with trying to do magic, and Taffy is being too serious and thinking hard. So Bea is here to help her Dad and Taffy with their not so secret wedding. She then has extra secrets to keep, magic to teach, and a party to plan full of magic, chaos happens, but also, it is a very sweet book.
I enjoyed the relationships showing up and the friendship and everyone pulling up to help make this memorable, including Bea still panicking about things and her dad’s chaos happening, but in the end the wedding is so cute and very much in line with the chaos of the family.
Very cute, a nice “ending” for the series and with lots of potential for picking back up if they ever do!
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
I have been following Wendy Xu for a long time and love her art a lot, so after Mooncakes and knowing she was making a new graphic novel, I had my eyes on it for ages. This where I find out I haven’t actually reviewed Mooncakes here even though I loved it loads.
Anyway, the Infinite Particle follows Clementine Clang who moves from Earth to Mars and lands her dream job, working with an Artifical Intelligence pioneer. It also follows Kye, who is the humanoid AI created by Doctor Marcella Lin, the AI pioneer Clem works for.
Clementine finds Kye fascinating since he seems a bit too human. And that is intriguing to her as she has built her own robots since she was young (it is part of why she got the job) and her current companion is a lovely moth-shaped one, called SENA.
As Clem collaborates and interacts with Kye, their chemistry and interactions set off sparks, but this independence and change in Kye’s behaviour starts causing friction with Dr. Lin who has issues and doesn’t handle things well, throwing rages and tantrums and being too rigid. And she’s not very forthcoming with allowing Kye independence. Brings out the interesting question of why would you create a humanoid AI and try to make it as human as possible then keep under your control too much, and not let it develop and grow as an actual AI?
As the interactions and relationship between Clem and Kye grows, it makes Clem and KYe both ask questions of where the line between humanity and AI is, what makes one human? (this is an ever pondered question, we still ponder it between humans and animals/other creatures).
The artworks was very cute and fit right, and the story didn’t shy from interesting questions and difficult topics, tackling them with curiosity and openness, and giving space for the characters to discover and work things out. I liked this thought and approach that was given and it reminded me of my own days building robots, playing with neural networks and algorithms and programming. Very well worth reading and getting a copy of it if you can.
Zatanna: The Jewel of Gravesend by Alys Arden and Jacquelin de Leon
Rating:
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
I am not huge on superhero type of comics and stories, but Zatanna always seems to win me over. I read another story a while back, Zatanna and the House of Secrets, and since then I keep trying to find more of her.
In comparison to House of Secrets this is an older teenager almost adult Zatanna, and it still has touches on her identity and who she is. There is as always a lot fo magic and weirdness and that carnival festival. I think those two things, the magician and magic act feels that come from Zatanna being the child of famous magicians, and the carnival vibes definitely are big reasons for my love fo her stories.
My dad used to always do magic and even had a few years when he did magic at events. I learned a bunch of tricks and how to escape two types of cuffs for some of the tricks, and so I can think of maigicnas with joy, even if it is all in tricks.
This jewel of Gravesend is a bit darker and more mystical, which questions Zatanna’s parents, her history and what she is willing to sacrifice to save what she loves, and at the same time she isn’t sure she wants anything to do with magic, but feels pressured into it, there is also her attempting to become her own person and be independent and her love for the carnival and her odd life, and the artwork here was perfectly suited to the story.
It is definitely a favourite story of magic, mystery and intrigue and with Zatanna at the front of it. So can definitely recommend it as another good read to add to the collection.
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
I bought this on a whim on a trip to Waterstones. I loved One Day (before there was a film and a series) and the way they kept meeting yearly, and how much could change year by year. And somehow when I read the synopsis for this, it made me want to read it.
We meet our two main characters, Michael and Marnie, who are both unravelling a little in their loneliness and I guess a middle life crisis for each. Marnie is a good copywriter and loves her job, doesn’t really want to see people, feels awkward but knows she is funny and well, she is the kind of person who enjoys cancelled plans. Michael is grieving a divorce and not properly over it, but also blaming himself and managing past PTSD after a traumatic event.
And a friend in common will suggest doing a long weekend of walks, starting part of the Coast to Coast walk, which apparently has a lot of history and a specific route. It is also meant to be setup as a bit of a blind date, but not particularly between Marnie and Michael, the mutual friend has other potential prospects for each. And yet somehow, things happen and they end up walking together.
If you don’t walk much, particularly in nature, then this will be less known for you. I used to love just setting off and walking for hours and then back, or go with walks with friends. Or walk from a village to the pub in the next village over, or walk between two villages (3+ miles) to go to the library, grab some books and come back. I walk a lot less nowadays as I use a walking stick, but I still love walks in nature (much less walks in cities, I am not too fond of walking on concrete). I digress, the point I was trying to get to, is that if you walk in company there is both these bits of silence that is very companionable and also the moments of talking to each other, either side to side but kinda talking forward, or one behind the other, and you somehow get very deep in what you talk, or very silly. It just happens that walks make you talk of deep feelings, deep thoughts, you may not get anywhere, but you share, you explore, not only with your feet but with your conversation.
And this book, it is a lot about that. It is also somewhat of a love story (in a David Nicholls style so don’t expect the perfect happy ending, but to me it had a good hopeful ending). But it is about encountering your own demosn, sharing them, maybe realisign you’re not so alone and others are dealing with similar problems or can relate to you. That we are both very very different and at the same time very much the same, we’re all human.
It was a very soothing read for me, the pace is set by them trying to make progress, by their talks as they walk, a bit about the actual walk and what places you go by in the Coast to Coast walk in the UK (I knew the end to end starting in Scotland and ending in Conrwall I think but not this one). And also about what they would explore when they got to their end destination, to the place where they either stopped for lunch or for the day. And the little interactions there, the spaces were you stop walking and have to figure out what living is like.
You Are Here was a nice read, with a conversational pace, a bit of melancholy, a lot of humanity, some humour and a bit of romance, and it was good. I enjoyed it a lot.
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
Disclaimer: Receiving a review copy from the publisher does not affect my opinion of the book. If you think I review it highly it is due to me knowing my taste well and therefore not requesting books I won’t enjoy. And I am not obligated to review the book if I do not like it, so you may not see bad reviews due to me preferring not to hype down a particular book. I only do reviews of books I disagreed with if I think it is worth bringing a topic or warning to light.
As you may have gleaned from the two previous reviews, I like Rachel Gillig’s books, and as soon as I knew The Knight and the Moth would be in existence I have wanted it, so very amazingly, Orbit sent me an early review copy to read (I have read it twice already, and love it), and I can’t wait for my final copy to arrive (preordered).
As you can gather, I really enjoyed this one and can only say the writing gets better with each book.
The Knight and the Moth follows Six (Sybil Delling), one of six Diviners that live in a cathedral in the center of the kingdom of Traum. And she divines through dreams and visions she receives from six figures called the Omens and upon which the kingdom is built.
But then, a king and his knights, and one particularly “rude” one came into the cathedral for a divination. This triggers a sudden disappearance of the other Diviners, one by one until Six is the last one left. So she takes matters into her hand and decides to seek the rude knight Rodrick and try to find her missing Diviners.
She gets way more than she ever bargained for.
The characters are interesting, starting with Sybil, who is strong and big and not the perfectly dainty damsel in distress, which was refreshing to read. And we have Rodrick, our knight who is an unusual and unexpected knight. Of course, we all know there will be romance happening between them. But the rest of the main characters, the ones we keep seeing and that are a regular part are fascinating, including an older female knight and a gargoyle.
The gargoyle is my favourite character. I absolutely loved him to pieces, but I couldn’t get enough of him.
And of course, we have the Omens, all six of them, which each have their own powers, their own little piece of the kingdom that they govern and their region-specific lore to give you a varied world, with some odd customs, some charming ones and some horrid ones too because nothing is perfect. And of course, the overall world and how it treats Diviners as Six encounters more fo the world she had never seen until her “family” started disappearing.
The ending was deadly. I won’t say it surprised me (except that in my head I kinda thought this may be standalone and well, with that end it for sure isn’t) because I could see a lot of it coming and could put the pieces together, but the way it surprises some of the characters was well done and it made sense for them to not see it. I did hope it was going to be different, and I now will have to wait to read whatever comes next because I need it. That is the worst part, the needing to read the next book because why leave me on that ending like that.
If you like romantasy, magical worldbuilding that at times makes you ponder spirituality and be a little philosophical, knights and prophecies and magical objects, alongside a lot of lore and thoughts of gods (kinda like Trudi Canavan’s Age of Five trilogy, which is my favourite of her series), then this is the book for you, but beware because it will take over your mind and heart and you won’t want to put the book down.
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
As I mentioned in my previous review, I am doing a Rachel Gillig series, so this is the second one with the second book in the series “The Shepherd King”. This is the conclusion to the story and I will admit there was something satisfying about it being a duology.
In One Dark Window, we end with Elspeth making some really difficult choices, giving control to the Nightmare, which absolutely devastates Ravyn, but he is going to keep going and he’s going to keep trying to connect with her and get her back.
At this point, we have all but one card, the one for which there is only one copy made, and the most important one of the set (I did not say this in the past review but for each card it has a number and there are as many copies of it with their magic as the number it has). And of course, Nightmare is the only one who knows where it is, because of reasons that may be a blatant spoiler and therefore I will avoid mentioning.
Anyway, this book we follow Nightmare and Ravyn, and also we follow those left behind in the kingdom, trying to wrangle the kingdom from the king and desperately have something to save when the 12 cards are found.
The balance in viewpoints on this one was a lot harder to achieve and is probably the thing that made me frustrated. We get a bit of both sides, the adventure triyng to find the card and the kingdom and politics, but we barely really understand how Elspeth is doing given that she is now trapped inside Nightmare and her own body.
In exchange we get a lot of the back story for most characters. We get to understand Elspeth’s family better, the founding of the Kingdom and where the king comes from, and we also learn how the cards came to be and the cost they incurred in being made. I loved learning about it, but again, as we learn more fo the past and how it came to be, I wish we had some more depth into some of the characters we encounter frequently through it.
As the story is tying a lot of pieces together to drive to the end, it felt at times a bit rushed or trying to expose more than it should. And so it was a little bit less effective at the story telling and chokehold on me than the first. I still was captivated and wanted to get to the end, but I noticed those things more than I wished I had.
Regardless, I still recommend it, it was a lot of fun, the worldbuild was spot on and very magical, it was dark but also like a fairy tale, and the lore was superb.
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
Disclaimer: Receiving a review copy from the publisher does not affect my opinion of the book. If you think I review it highly it is due to me knowing my taste well and therefore not requesting books I won’t enjoy. And I am not obligated to review the book if I do not like it, so you may not see bad reviews due to me preferring not to hype down a particular book. I only do reviews of books I disagreed with if I think it is worth bringing a topic or warning to light.
I realised that I had reviewed this on storygraph and raved about it on Instagram stories and to some friends, but had not actually put this up on the blog. And since The Knight and the Moth is publishing this month, why not make it a Rachel Gillig series of posts.
I had received this book free from the publisher when it first came out and at the time I was a little burnt out on similar stories so set it aside and forgot. And as I was clearing and packing books, this lovely one came up and I started reading.
I could not put it down. I read until stupid o’clock in the morning just to finish it. And as soon as I finished it was already ordering the next one. I could not wait (the wait was agony, I needed to know!). Honestly, the book had wrapped its beautifully crafted story around me, and I could (did) not want to leave.
So, I’ve raved about loving it but what is it about?
We follow Elspeth, a survivor of a mysterious “plague” that left her with some odd powers, particularly a monster she calls Nightmare that lives in her head (rent free). However, Nightmare can sometimes be very helpful (if he wants to) by protecting her, and keeping her (their) secrets.
But the kingdom of Blunder is a dangerous place for a survivor that shouldn’t have survived. And when she has an encounter with a highway man, suddenly her life seems to move from predictable to chaotic. And so an adventure to save the kingdom from a cruel king, and discover why magic is forbidden or limited to the twelve Providence Cards. The stakes rise as the time goes and as they try to survive, including her own Nightmare.
The overall world-building is crafted in a n intriguing way, it makes you feel like a fairy tale world. You feel the magic of it, the way the citizens live, how the cards influence life in such deep ways, and you discover the world Elspeth had been avoiding due to technically being a survivor that shouldn’t have survived.
It touches on faith, family, on magic, obviously it has a ormance story and some interesting swoony characters to tie everything nicely. There is a lot of sass and funny scenes too, and a lot of stakes, but it all ties in nicely to a point where you just want to find out what comes in the next book.
I enjoyed it a lot, and can recommend it for a gripping romantasy.
Hex Vets The River Guardian by Sam Davies and Lisa Moore
Rating:
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
When the first Hex Vet came out I was in love with them, cute and short, and just nice. You can read my reviews here and here. They were a delight to be read.
And then there was no more, it just stopped, so I assumed it was another one of those series that are left incomplete. So when the third volume was suddenly suggested because apparently there is going to be a series for it, I was happy to see it come up and immediately ordered it.
I immediately felt the difference in approach. As much as it is the same comic for starters now it is Hex Vets rather than Hex Vet and has a new author/illustrator, and the story is less twee, it is more trying to hit the spots for drama, and a TV series, rather than the focus being on comic medium.
This is a very weird thing to say of a book, but you can tell when the direction it had is suddenly not the same. This one was made for Tv, the previous two were just fun and made to be books. It makes a difference, you lose a lot of the beauty when you try to force a comic of a story that you are now plotting as an animation, and the other way around.
So that was the main loss of stars, the change in focus and the plot showing this change. It lost its star. The story is still cute and we’re still having some chaos in trying to be good vets to magical creatures, and it was cute to see the main reason for the disruption to the river health and why the creatures suddenly didn’t go too well. That was interesting, I just wish this had been still like the previous two.
I will still give it a chance if new volumes are released and hope that this was simply a transition volume, because the first two were really fun and cute.
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
I own this and the Illumicrate version, but the copy I read was this one because it is easier to carry it around in a bag and if it gets damaged it is fine.
Goddess of the River reads like a wonderful saga, it is both a legend, a myth and a very personal story. And it was beautiful in so many ways, not just the plot but the prose.
Ganga is the goddess of the river, she loves her little godlings and to have her waters move around, to grow life. But then, she is cursed to become mortal when trying to save her godlings, until she fulfills her curse.
Being human feels foreign to her and yet she manages to wed the King and become a queen, while trying to break the curse and stop being in human form. And her timing is a tragedy, because she ends up leaving her infant son to her King as she is able to become a goddess again.
And none of them know that her son also carries in some ways her curse and therefore when he makes an oath that he will never claim the throne, he sets in motion a terrible and tragic war for his family.
And so, the book covers the story of them both, as they keep meeting again and again and as Ganga watches over her son and what is happening, but we also see the story from his side, from a human view, and how much there are consequences to the choices made and the responsibilities one takes.
It is an epic read, not just in it being incredible but it reads as an epic. It is a story to be told, to keep going, that goes through generations. It was never boring and it kept me wanting to know more (and at times, shake the prince, Ganga’s son because damn, why?!).
You end up being invested in all of them and wanting them to somehow avoid war, to do better, to make it out, to live. And so you feel a little like Ganga, like a goddess with a tie to the human world in a more personal way and yet removed, powerful and powerless.
Agent Harrier: Mission Impossib-hole by Ben Sanders
Rating:
Nothing is perfect, and as such, the reviews in this blog are chaotic. My main aim is to share my thoughts, joy and opinions on a book, not make a publication perfect review. This blog endorses authenticity, showing up and joy over perfection.
Disclaimer: Receiving a review copy from the publisher does not affect my opinion of the book. If you think I review it highly it is due to me knowing my taste well and therefore not requesting books I won’t enjoy. And I am not obligated to review the book if I do not like it, so you may not see bad reviews due to me preferring not to hype down a particular book. I only do reviews of books I disagreed with if I think it is worth bringing a topic or warning to light.
I am absolutely loving Agent Harrier (you should read my review of the previous one: You Only Spy Twice). And in case this wasn’t clear this was a requested book from the list the publisher sends (I love Little Tiger Books, they are awesome!), which they kindly sent me, and I love their books, here is my review.
Agent Harrier is a chaotic secret agent who somehow is very good and bad at his job and yet he always saves the day. The art is hilarious and breaks the fourth wall in funny ways and makes terrific use of the full page spread to play with the story and add to it. This is part of what makes the series so good, the art is spot on to the story.
There seems to be a lot fo holes going on in this third book, and not just any kind of holes, but PLOT holes, which are not helping the story go too well! They keep transferring Agent Harrier through various stories and realms to try to find the culprit behind all the holes that are interrupting this mission.
As always, it made me laugh and giggle and I felt it was too short but thoroughly enjoyed the book and recommend you read all three books if you haven’t yet!
